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Gallery

Explorable Archive of Art from the Romantic Era

Section Editors: Theresa M. Kelley
, Jacob Leveton
Page Title

Explore All Images

No image available

The Songster

No image available

The Tempest

Cover Image of Milton Poetical Works

John Cousen, Joseph Mallord William Turner

The sea helps to expand the horizon of this image, increasing the territory offered to Christ by Satan, and thus increasing the potency of the temptation. The open water here creates a "stage" effect which Turner used in some of his other works: the "stage" created suggests future action.

The Temptation on the Mountain

No image available

The Three Witches, or Weird Sisters

No image available

The Tour of Doctor Syntax in Search of the Picturesque

No image available

The Tour of Dr. Syntax: In Search of the Picturesque, A Poem

A portrait of highwayman James Whitney

Unknown

A man, imprisoned, sits in the corner of a cell next to a barred window through which two figures stare. The captive wears a large brimmed hat, long curled wig, and cravat, which date the sitter to the late seventeenth or early eighteenth century.

The Trwe Effigies of James Whitney, the Notorious Highwayman.

Map of Eifel Mountain Range

Samuel Hibbert, Charlotte Hibbert-Ware

This topographical portrayal of the Eifel mountain range suggests that Romantic culture was developing a more scientific interest in volcanism.

The Volcanic District Bounded by the Rivers Nette and Bruhl on the Lower Rhine

No image available

The “Constitution” and the “Guerrier”

A dinner setup in an intricately designed ballroom

George Cruikshank
In collaboration with Pierce Egan

This image depicts the characters of Egan's Life in London—Corinthian Tom, Corinthian Kate, Sue, Jerry Hawthorn, and Bob Logic—touring Carlton House.

The “Ne Plus Ultra” of “Life in London.” – Kate, Sue, Tom, Jerry and Logic; viewing the Throne Room, at Carlton Palace.

view of the water

Joseph Wilkinson
In collaboration with William Frederick Wells

Therl-mere or Leath-water.

visitors looking at museum exhibits

Samuel Mitan, William Marshall Craig, Thomas Sutherland

This image depicts the interior of Thomas Gwennap’s “Oplotheca” (derived from the Greek term hoplothêkê, meaning armory) at no. 20, Lower Brook St., London, as it was arranged in 1816.

Thomas Gwennap’s “Oplotheca”

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