Address: To/ The xxxxxx xxxxxxx xxxx xxxxxxxxxxxx/ Croxall Parsonage/ near/ Lichfield
Stamped: KESWICK/ 298
MS: University of Kentucky Library. AL; 3p. (c).
Unpublished.
Note on correspondent: Identified by the address – Holworthy was Vicar of St John
the Baptist, Croxall, 1809–1839 – and by the letter’s content.
Mr. Greene’s Museum
Cook and Stringer’s etching depicts the upper rooms of the Bishops' Registry Office at 12 Sadlers Street, Lichfield, the historic building where the collection of Richard Greene (an apothecary) was held. As Rev.
Inside Out: Representing the Romantic Museum
This exhibition examines how museum spaces were conceptualized and visually represented in two-dimensional media forms, drawing examples principally from metropolitan London. Many of the museums of the late eighteenth and early nineteenth century no longer exist. However, prints and paintings, often reproduced in gallery guides, periodicals, and ephemera, are valuable sources of information about the objects that they contained: from oddities and marvels to natural history specimens and revered artworks. Such images also document the arrangement of objects and the display strategies employed by collectors and museums, as well as the visual idioms—and aesthetic categories—they used to capture and ‘frame’ their interiors.
Sir Ashton Lever’s Holophusicon
This watercolor, copied ca. 1835 from Sarah Stone’s original—made on site in 1786—depicts Sir Ashton Lever’s museum, or “Holophusicon.” Making effective use of one-point perspective, the drawing depicts the long series of rooms comprising the upper floor of the museum.
3770. Robert Southey to [Samuel Holworthy], [24 December] 1821
3700. Robert Southey to Grosvenor Charles Bedford, 6 July 1821
Address: To/ G. C. Bedford Esqre/ Exchequer/ Westminster
Stamped: KESWICK/ 298
Postmark: [partial] E/ 9 JY/ 1821
Endorsements: 6. July 1821/ £50 –
MS: Bodleian Library, MS Eng. Lett. c. 26. ALS; 3p.
Unpublished.