Susannah Peachy (dates unknown): The second wife of William Peachy, whom she married in 1812. She was the widow of James Henry of Jamaica.

Musician and composer. He held the post of Master of the King’s Music from 1786 until his death. As Poet Laureate, Southey sent him his New Year’s Odes to set to music. The music composed by Parsons for Southey’s Odes was not performed and has not survived.

John James Morgan (d. 1820): Businessman. His friendship with Southey dated from their time as pupils at Williams’ School, Bristol. From 1810–1816, Morgan and his wife took in Samuel Taylor Coleridge and attempted to cure him of his opium addiction. When Morgan’s finances collapsed in 1819, Southey, Charles Lamb and other friends contributed to an annuity for him.

Edward Moor (1771–1848): Army officer and writer. He served in the army of the East India Company, rising to the rank of Major. After retiring back to his home county of Suffolk due to ill health, he produced the Hindu Pantheon (1810), which for over fifty years was the only authoritative book in English on the subject, and thus widely consulted. Other publications included Hindu Infanticide: an Account of the Measures Adopted for Suppressing the Practice (1811), Oriental Fragments (1834), and Suffolk Words and Phrases (1823).

Robert Nares (1753–1829): Philologist, clergyman and reviewer. From 1779–1783 Nares was tutor to Charles Watkin Williams Wynn and his older brother, Watkin. He was Usher at Westminster School from 1786–1788, where he continued his tutoring of the Wynn boys and where he undoubtedly met Charles Wynn’s friend Southey. In 1793 Nares was the founder-editor of the pro-government review the British Critic.

Mary Morgan (née Brent; b. 1782): The wife of one of Southey’s oldest friends, John James Morgan. She was the daughter of Moses Brent (d. 1817), a silversmith, and had married John James Morgan in 1800.

William Nash (1780–1837): Brother of Edward Nash. Southey corresponded with him occasionally following Edward Nash’s death in January 1821.

Edward Nash (1778–1821): A painter who travelled in the Netherlands with Southey and his family in 1815 and who illustrated The Poet’s Pilgrimage to Waterloo (1816). Best known for his miniatures, Nash painted Southey, and a double portrait of Edith May Southey and Sara Coleridge, in 1820.

Cornelius Neale (1789–1823): Clergyman and writer. He was the son of James Neale (c. 1760–1814), a china manufacturer and member of the London Missionary Society. Educated at St John’s, Cambridge, Cornelius was appointed to a curacy in Leicestershire after his ordination. His Mustapha: A Tragedy (1814) was dedicated to Southey.

John Samuel Murray (1778–1843): Publisher, who inherited his business from his father, John (1737–1793; DNB). After Murray took sole control of the firm in 1803, he proved a shrewd businessman. He published everything from cookery books and cheap reprints to the works of Byron, Scott, Crabbe and Jane Austen. After he purchased the business and premises at 50 Albemarle Street of William Miller (1769–1844; DNB) in 1812, he was at the centre of London literary life.