Does the potential solipsism necessarily inherent in any aesthetic pleasure find a rapport, or a reciprocal production of meaning, with the empirical world? If Romanticism has a grasp upon the actual (to recall F.R. Leavis's famous indictment of Shelley) that is not merely weak, how do the actual and the pleasure of that aesthetic "grasp" signify to each other? These are the questions that a brief consideration of Romanticism and philosophy in an historical age might open on to. The essays and counter-responses in this volume represent works in progress by Kelley and Pfau, and we invite our readers' input into their respective polemics.
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