Percy Bysshe Shelley, feigning the author's being abroad, handled the negotiations
                     for a contract to publish Frankenstein, thus preserving Mary Shelley's anonymity.
                     That he first sought out John Murray, Byron's publisher, may indicate that Byron himself
                     suggested such an avenue to the Shelleys. Whatever the case, Murray declined the manuscript,
                     upon whose refusal Shelley reverted to his own publisher Charles Ollier. When Ollier,
                     too, declined to accept the book, the Shelleys were in something of a quandary. They
                     resolved it by turning to a publishing house—Lackington's—that had a large inventory
                     and specialized somewhat in sensational materials. In the two-page advertisement sheet
                     accompanying the novel when it was published in 1818 are representative works that
                     the Lackington firm apparently thought might interest the reader of the novel: these
                     include Francis Barrett, The Magus; or Celestial Intelligences; a complete System
                     of Occult Philosophy, being a Summary of all the best Writers on the subjects of Magic,
                     Alchymy, Magnetism, the Cabala &c. (1801); Francis Barrett, Lives of the Alchemystical
                     Philosophers with a Critical Catalogue of Books on Occult Chemistry (1815); Thomas
                     Heywood, The Life, Prophecies, and Predictions of Merlin Interpreted (1813); Joseph
                     Taylor, Apparitions; or, the Mystery of Ghosts, Hobgoblins, and Haunted House (1814);
                     John Toland, A Critical History of the Celtic Religion and Learning; containing an
                     account of the Druids (1815); and—though officially published by another house, White,
                     Cochrane, & Co.—Sarah Utterson, Tales of the Dead (1813), the English translation
                     of Jean Baptiste Benôit Eyriès's Fantasmagoriana, the volume of ghost stories that
                     served as pretext for the ghost-story contest from which Frankenstein eventually came
                     into being (see 1831:I:Intro:6 and note).