Romantic Circles Gallery
Gallery Editors:
Theresa M. KelleyJacob Leveton
 1803 |
 In the immediate foreground of the picture plane is a herd of sheep. The sheep are reclining on the ground in manner that suggests that they have either been struck dead or are sleeping. Only several... Engraver: Wallis, Robert 1829 |
 A phrenologist, identified as J. De Ville, places his right hand on the forehead of a young man who is kneeling at the center of the image. A well-dressed woman, probably the young man’s mother,... 4 February 1826 |
 In the near center of the image, slightly to the right, a stern, sad woman is depicted, holding on to a walking stick and pointing to the sky with her left hand. On her left, a woman with an... 1 August 1803 |
 Dr. Syntax sits on the right-hand side of the back row in the pit, alongside a critic and a wit (Combe 223). He and his fellow theater-goers face the unfolding drama on the stage: two men battle over... Delineator: Rowlandson, Thomas 1 May 1812 |
 Five "Arab scholars" attend to their lessons. All the boys wear loose white robes and colored turbans. The central figure sits cross-legged, his body turned to the right. He draws in the dirt with... 1806 |
 John Auldjo, the artist himself, stands on the far right of the image, poking the lava with a cane and holding a cloth over his mouth. In the background, the eruption of Vesuvius’ small cone, Monte... 1845 |
 A woman with loose hair in a flowing costume sits on a grassy ledge. In one hand she carries an empty palate and several paintbrushes; with the other she uses a brush to take pigment from the rainbow... 1780 |
 "A light-filled cleft in the clouds divides the image in two; its impact is made the greater by the blue-grey mass to its left. This is the true subject of the study, one of the 'large climbing... 1822 |
 Napoleon on his characteristic white horse is at the forefront of this image, which depicts the French army’s early attempt to cross the Alps. Other men, who are both on horseback and on foot,... 1828 |
 This work offers a view of the large group of Alutiiq Indians, carried by a fleet of canoes, who were encountered by Captain George Vancouver and his fleet at Port Dick, Alaska, on 16 May 1794. The... Delineator: Humphreys, H., Alexander, William 1798 |
 With church spires rising above it in the very center of the background, Bartholmew Fair is in full swing, crowded with people and chaos. Overflowing the square—with the hospital on one side, a... Delineator: Rowlandson, Thomas 1808 |
 Carefully annotated sketches such as this one, which served as a basis for explanations of how hot air balloons were filled, were included in books such as Tiberius Cavallo’s 1785 The History and... 1 January 1785 |
 This print is taken from the final plate of the pamphlet, and depicts in eleven figures the proposed mechanism of the chess player. The figures do not represent a chronological progression, but... 1826 |
 Two men on the far right of the frame stand near a campfire and tent on the banks of Hoarfrost River. The closer man stands with his back to the viewer, next to a basket and what appears to be a... Delineator: Back, Sir George 1836 |
 In a small, dark, cave-like dwelling, a woman with a creased brow and elongated nose sits crouched with her knees to her chest. She wears a white bonnet and large cloak, and she smokes a slender clay... 1820 |
 Three men in white wigs with shawls over their heads gaze contemplatively at the moon from a bank of dark clouds. The moon is made up of two faces: the light side is smiling, while the dark side is... 1791 |
 This scene is depicted from the low perspective of a river. In the right foreground, two trees extend their branches over the river. A structure with arched openings sits on the opposite bank; this... 1800 |
 c. 1800-01 |
 Pope Pius VII, decked in religious garb, stands at the forefront of this image. To his left is Napoleon who is depicted standing on a platform as he places a crown upon his head. To the pope’s right... Delineator: Cruikshank, George 13 December 1814 |
 View of Mottram depicts the village of Mottram in Cheshire. 16 July 1794 |
 Within the elaborate frame printed on one page of the E. Boyes album by the book’s manufacturer, someone has pasted in shiny blue foil so as to form a second frame. This surrounds an arrangement... |
 “Plate III” features four illustrations of rational recreations involving optics and illusions. Figure 1 illustrates the refraction of light through water in a vessel. Figure 2 diagrams alterations... 1774 |
 “The balloon over Helsbye-Hill in Chester, at half past II on Thursday the 8th of September, 1785. It is seen in the southwest quarter. The view was taken in a high field, at the end of Sutton-... Delineator: Stothard, Thomas, Newton, R. 1 May 1786 |
 “Plate XIX” features eight figures to accompany the text entitled “Of Optics.” Figure 1 illustrates the manner in which light travels through a multiplying glass to the eye. Figure 2 diagrams the... Delineator: Ferguson, James 1764 |
 "Fig. 1" depicts a piece of coral shaped like a hand, while figure "2" features a glass tumbler that appears partially petrified. 1791 |
 This large map, measuring 71 x 98cm, details the topography of Rome and its environs, from Lacus Sabatinus [Lago di Bracciano] in the north to Norba in the south, and from Nerola in the east to the... September 1834 |
 A viscountess sits between a portrait of a peasant woman breastfeeding a baby, the frame of which reads “Maternal Love,\" and a window revealing a carriage waiting outside, its attendant holding its... Delineator: Gillray, James 15 February 1796 |
 An undefined crowd that disappears into the foreground of the print batter Lady Archer and Lady Buckinghamshire, chained at the Pillory, with battered with eggs and mud. Both women don large feather... Delineator: Gillray, James 12 May 1796 |
 The two remaining towers of Hadleigh Castle stand in the left register of the picture plane. A single scrawny tree grows between the decaying stone edifices. The surrounding hillside is completely... Engraver: Lucas, David 1830 |
 c. Early 19th century |
 “Plate II” presents two figures, both of which refer to a sedan-chair style camera obscura in which a person can comfortably sit. Figure 7 is a view of the interior of this alternative camera obscura... 1803 |
 At the piano, a young wife in a drooping bonnet plays the piano and sings with a wide open mouth. She rolls her eyes back, as if to ascertain whether her husband is listening, or perhaps to ensure... Delineator: Gillray, James 25 September 1805 |
 The first image ("Fig. 1") depicts a Taylor-bird's nest, while the second image ("Fig. 2") depicts a wasp's nest. 1791 |
 1826 |
 Dorothy George describes this print as follows:
A good-looking young woman, looking down and to the r., holds by two strings a jointed puppet (a pantin, a toy for ladies in vogue in the... Delineator: Cruikshank, Isaac 9 December 1818 |
 The work depicts a “building designed in imitation of the ruins of a church or chapel…intended to be placed, as those houses generally are, by the side of a piece of still water…or built by the side... |
 c. 1790s |
 1795 |
 In this print, Corinthian Tom’s tailor, Mr. Primefit, has come to Corinthian House to fit Jerry Hawthorn for a new suit. Jerry stands in the center, his back to the viewer, while Mr. Primefit... 31 August 1820 |
 A view of the ruins of Uxmal depicts the House of the Nuns (on the left) and the House of the Dwarf (on the right). The House of the Nuns is a short, wide, one-story building with a series of small... Delineator: Catherwood, Frederick 1841 |
 A large, stone head rests between other large, carved stone pieces and a tree. A male figure, clad in slacks, a coat, and a wide-brimmed hat sits in profile next to the stone head, staring off the... Delineator: Catherwood, Frederick 1843 |
 The ruins of Goodrich Castle sit perched on a hill near the center of the piece. Three boats full of people, ostensibly tourists, row down the river which bends sharply to the left. The central hill... 1785 |
 Gilded pages of Grellmann's Dissertaion on the Gipseys (London, 1807). 1807 |
 The image portrays a sea dark with swells—no whitecaps—interrupted by large, sharp-edged, wildly-shaped icebergs that have been carved out at their bases by the incessant motion of the waves. Two... Delineator: Back, Sir George 1828 |
 Two groups of men drag rowboats over a rocky “reef,” which seems to be serving as a dam between one body of water (placid-looking) and another (which appears to be the sea). A strong curving line... Delineator: Back, Sir George 1828 |
 The illustration in the bottom left corner of this image, Imitation and Approbation, features a caped man standing behind a table on a stage. In his hands he holds a skull marked by a... Delineator: Cruikshank, George 1 August 1826 |
 This political caricature depicts Queen Caroline as a puppet of her lover Bartolomeo Pergami (aka Bergami). Dorothy George describes the print as follows: Bergami, mustachioed, whiskered... 17 February 1821 |
 A conventional edge-painting uses one of the edges of a closed book as a canvas—usually the edge furthest from the binding or spine (the fore-edge), but sometimes the top or bottom. They are... 1821 |
 This map of Vesuvius is color-coded to indicate the various routes of lava flows traced during Vesuvius’ major eruptions from 1631. Palo, the larger cone, is marked with every lava flow (colored red... 1833 |