“A Modest Creed”: Saving Skepticism in Shelley and Cavell

Cavell’s Romanticism and the Autobiographical Animal

Introduction: Stanley Cavell and the Event of Romanticism

Shelley's Sound Body

Utopian Pastoral and the Inhuman Trade

Without Task: Abdication, Race, and Relation in Mary Shelley’s The Last Man

 

Hölderlin: From the “Death of Nature” to “the Earth”

Earth, Spirit, Humanity: Community and the Nonhuman in Karoline von Günderrode’s “Idea of the Earth”

The sound of the gaze in Ann Radcliffe’s A Sicilian Romance

Unconditioning Sound in German Romanticism

Subscribe to