482

  • scarlet fever

    A highly contagious disease, usually encountered in childhood, caused by hemolytic
    streptococus. It is spread through the air or through contaminated food, and was virtually
    untreatable before the development of antibiotics, although penicillin and gamma globulin
    have made it much less common in the twentieth century.

    Scarlet fever's onset is sudden (typically two to seven days after exposure), beginning
    with a sore throat, shivering, and a headache. It develops on the second day into
    a rash behind the ears, which spreads to the arms and legs. Thomas Sydenham, a physician
    of the late seventeenth century, describes its symptoms thus: "The skin is marked
    with small, red spots, more frequent, more diffuse, and more red than in measles.
    These last two or three days. They then disappear, leaving the skin covered with brawny
    squamulae [scales], as if powdered with meal." Scarlet fever leaves the glands swollen
    and often sensitive; in some cases, the squamulae on parts of the patient's skin peel
    off.

    The greatest threats arise from complications. Sinus infections, abcesses of the ear,
    and mastoiditis are common. In a few cases, scarlet fever leads to arthritis, rheumatic
    fever, or kidney failure.

  • 481

  • Mrs. SAVILLE

    Positioned in the outer sphere of the numerous nested narratives that make up the
    novel, Mrs. Saville stands in the position of the author. The initials of her full
    name, Margaret Walton Saville, are identical with those of the actual author, Mary
    Wollstonecraft Shelley.

  • 480

  • He was not, as the other traveller seemed to be, a savage inhabitant

    Reverted to for a second time, the Creature's presence once again, as in the second
    paragraph above, forces indeterminacy upon Walton's conclusions: "this apparition
    seemed"; "the traveller seemed."

  • 479

  • in Sanchean phrase

    This phrase alludes to how the servant Sancho Panza, in Don Quixote, Book II, Chapter
    33, faces the prospect of becoming governor of his own island.

  • 478

  • Mont Salêve

    Mary Shelley was aware that climbing to the top of Mont Salêve was a popular sport
    of the Genevese, except that they did so from the sloping angle of its other side
    not by scaling its sheer face: see her letter of 1 June 1816 appended to A History
    of a Six Weeks' Tour

  • 477

  • the safety of others

    It is important to note that, however "ardent" he may be as an individual, Walton
    has a highly developed sense of social responsibility. It will be strongly tested
    toward the end of the novel by simultaneous pressures from his crew, Victor Frankenstein,
    and Victor's Creature that establish markers for the complex moral resolution with
    which it ends.

  • 476

  • the heroes of Roncesvalles

    Why Mary Shelley felt it important to alter the legendary materials loved by Clerval
    is unknown. It may simply be dictated by a change in the conditions of her culture.
    Although Roland, the hero of Roncesvalles, is identical with the title character of
    Ariosto's Orlando Furioso (one of the books specified in 1818), in this rendering
    Clerval's interest in him is more "romantic," less bookish. His other literary passions
    are of a similar generic kind, rather than for specific books. On the other hand,
    that the Battle of Roncesvalles was fought against Saracen attackers, who are also
    the "infidels" who held the "holy sepulchre" of Jerusalem against the crusaders in
    Victor's third example of their texts of romance, indicates an early manifestation
    of the interest in eastern, or Mohammedan, culture Clerval will later develop.

  • d30e4608

  • 1977Times 18 Oct. 24/9 White tuxedos are occasionally supplied to shipboard romantics.
  • d30e4606

  • 1966 H. G. Schenk Mind of European Romantics i. 6 Rationalism was attacked by the
    Romantics not on the grounds that the intellectual results yielded by it were false,
    but rather on the grounds that they were inadequate.
  • d30e4605

  • 1961 C. Clutton in A. Baines Mus. Instruments ii. 66 The [organ] works of Liszt and
    Franck,..and of such late romantics as Reger, Jongen, and Elgar, rely upon a very
    large instrument.