Movies of Frankenstein

The century-long success of the stage adaptations of Frankenstein made it a natural choice for filmmakers. The list of movies based, however indirectly, on Mary Shelley's novel stretches into the hundreds. The first film treatment of the novel was a seven-minute silent short from the Edison Film Company, entitled simply Frankenstein (1910). It was followed by a number of silent movies, including Life Without Soul (1915) and Il Mostro di Frankenstein (1920). But the silents were merely preludes to the explosion of cinematic Frankensteins.

Plot Summary of the Novel (Based on the 1818 Text)

Volume I

The English ship's captain Robert Walton, in a series of letters to his sister Margaret Saville in England, describes the initial stages of his nautical journey to the North Pole (I: L1). While sailing north of Archangel in Russia, Walton's ship becomes trapped in arctic ice. From across the frozen sea, the sailors spot a gigantic figure on a dog-sled crossing the ice (I: L4: 3), and later see a haggard, wild-eyed man who is pursuing him, stranded with his dogsled on an ice floe. They take him on board.

About this Edition

This edition was first designed and marked up in XHTML 1.0 Transitional and CSS by Joseph Byrne at the University of Maryland. Additional markup assistance was contributed by Lisa Marie Rhody, David Rettenmaier, and Mike Quilligan. Finally, in 2009, David, Mike, and Laura Mandell TEI-encoded the edition for the sake of preserving it and making it accessible through NINES. The present design features a detail from Tabulae sceleti et musculorum corporis humani (1747) by Bernhard Siegfried Albinus and engraved by Jan Wandelaar.

1433

  • young man As the weight of circumstances and of tragedies accumulates it may be somewhat difficult
    to remember the actual chronology of the novel. Victor is yet only 24 years old.
  • 1432

  • you, my friend Not since Volume 1 (I:3:13, I:6:18 and note) have the narrative lines been broken
    to remind us of the circumstances in which this story is being told. As was the case
    in those instances Victor signals a new intensification in the circumstances of the
    plot, with Henry Clerval reentering the novel.
  • 1431

  • a year ago At this point in the year before Victor and Henry resided in London and were preparing
    to transfer their center of activity to Oxford. Elizabeth must be referring to the
    despondent period the summer earlier, following Victor's confrontation by the Creature
    beneath Mont Blanc.
  • 1430

  • Wretch! At this late point in the novel this vocative is literally true, and the Creature
    will acknowledge it so three paragraphs later. Still, we have to recognize that we
    have come full circle: Walton addresses the Creature with the appellation employed
    by Victor Frankenstein immediately after his creation (I:4:2 and note) and again upon
    reencountering him on the Mer-de-Glace of Mont Blanc (II:2:5 and note). Two sentences
    later he will reiterate Victor's linguistic leap into transcendental terminology,
    demonizing the Creature as a fiend. In his response the Creature picks up on the shift
    in signification, comparing himself both to Adam and to Satan.
  • 1429

  • the wretch By this time, we are so aware of how this kind of terminology distances and demonizes
    the Creature that Victor's resort to it is perhaps only to be expected.