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The Invention of Landscape: Keats’s Influence on Modern Japanese Poetry

English Romanticism in East Asia

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Alaric A. Watts, “You Ask Me for My Pledge, Love,” in The Literary Souvenir; or, Cabinet of Poetry and Romance, ed. Alaric A. Watts. London: Longman, Rees, Orne, Brown, and Greene, 1828.

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  • Read more about Alaric A. Watts, “You Ask Me for My Pledge, Love,” in The Literary Souvenir; or, Cabinet of Poetry and Romance, ed. Alaric A. Watts. London: Longman, Rees, Orne, Brown, and Greene, 1828.

Mary Edwards

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Louisa Gilman

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Walter Scott, The Lady of the Lake (Edinburgh: John Ballantyne; London: Longman, Hurst Rees, and Orme, and William Miller, 1810 

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  • Read more about Walter Scott, The Lady of the Lake (Edinburgh: John Ballantyne; London: Longman, Hurst Rees, and Orme, and William Miller, 1810 

[Rosebud page in Sarah Schenck album, manuscript, 1826-1842] 

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drawing of a rosebud
Description

At the center of this page an unknown artist has painted in watercolor two pink roses growing from a single stem--one almost in full bloom, the other just beginning to bud—and entwined it with a blue and yellow bloom (perhaps a passion flower).

  • Read more about [Rosebud page in Sarah Schenck album, manuscript, 1826-1842] 

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[A Napoleon Memorial Page in Elizabeth Aders’ Autograph Album]

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dried and pressed flowers
Description

Preserving dried flowers and a scrap of wallpaper, this page is found in the album that was kept over many years by the salonnière and painter Elizabeth (Eliza) Aders. The pasted-in piece of wallpaper seems discolored with age, and has an indistinguishable green and off-white pattern.

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[“A general Beautifier,” in an album belonging to E. Boyes, circa 1835-1848]

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small paper panels, eight with handwritten labels, and two with watercolor depictions of insects, an arrangement that in its turn frames a watercolor landscape
Description

Within the elaborate frame printed on one page of the E. Boyes album by the book’s manufacturer, someone has pasted in shiny blue foil so as to form a second frame. This surrounds an arrangement of small paper panels, eight with handwritten labels, and two with watercolor depictions of insects, an arrangement that in its turn frames a watercolor landscape.

  • Read more about [“A general Beautifier,” in an album belonging to E. Boyes, circa 1835-1848]

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