d30e10860
1293
in Mary Shelley's day. Johnson's Dictionary (1755) lists the following two definitions:
- Pain of guilt
- Tenderness; pity; sympathetick sorrow
In both cases, but particularly in the first, remorse involves a passionate suffering
that could be likened to the action of poison.
1292
dependent upon his largess for their future welfare.
1291
chapters, it may come as something of a relief to acknowledge that he is still as
scientifically alert to the representations of physiognomy as he was shen he dismissed
Dr. Krempe's credentials on that basis (see I:2:12).
1290
An ancient city of Scotland, Perth was the Scottish capital until the mid-fifteenth
century, when Edinburgh succeeded it: the old parlimentary building was not, in fact,
razed until the year of Frankenstein's publication. The city is located on the river
Tay some twenty miles southwest of Dundee, where Mary Shelley spent nearly two years
-- from June 1812 to March 1814 -- at the home of the Baxter family.
1289
"personhood" is what is most at issue.
1288
marks, foreshadows the plot with a heavy ominousness. We perhaps have forgotten by
this point that on this issue there has been a much earlier foreshadowing, as in I:L4:26.
1287
immediate consequences to his act. His susceptibility to dismiss, or just miss, the
logical point, however, is not so much the result of chronic thick-headedness as it
is the effect of the egotism through which he filters all experience. His characteristic
assignment of a "destiny" to himself likewise testifies as much to his sense of self-importance
as to the determinism by which he attempts to deflect moral responsibility for his
actions from himself.
1286
If the reader regards this phrase ironically, it would seem commensurate (or nearly
so) with death. The last third of Frankenstein is dominated by the withdrawal of its
protagonists behind psychic barricades that wall them off increasingly from the forces
of life. Again, one senses the context of P.B. Shelley's recently-published Alastor;
or, The Spirit of Solitude behind Mary Shelley's text.