Seasonal adjustments are very carefully marked in the novel, partly as a way of keeping
its several narratives joined in the reader's mind. In this case, we will recall Victor's
phrasing when we revert to the same moment in time at a later point (II:4:19) in the
novel.
An uncommon term today, though it was not so in Mary Shelley's age. Johnson's Dictionary
(1775) defines "searoom" rather grandly as "Open water; spacious main," and quotes
two seventeenth-century sources in support.
As with the diction of the previous sentence, here, too, Percy Bysshe Shelley attributes
to Mary Shelley's writing a bold originality he will, in prefatory remarks, later
claim for his own as well. See, for example, the opening paragraphs of the Preface
to Prometheus Unbound (1820).
Here a general term for knowledge. Johnson's 1755 Dictionary delineates the contemporary
range of meanings of the word.
Slaves forever in a rage. In her revisions Mary Shelley is betrayed into a historical
anachronism, for it was only with the Congress of Vienna of 1814-15 that Austria,
already given the northeastern section of Italy in 1797, additionally was ceded Lombardy.
Its capital, Milan, was thereafter a center of subversive unrest, and many of its
leading citizens in the 1820s were convicted of sedition and incarcerated in the infamous
Austrian prison of Spielberg. Silvio Pellico's account, Le mie prigioni (My Prisons)
was published in 1832, the year after the third edition of Frankenstein, and became
a European best-seller. In the decade and a half following the Congress of Vienna,
Britain became a center for exiles from the Milanese intelligentsia, among whom was
Gabriele Rossetti, father of Christina and Dante Gabriel Rossetti.
As contemporary English readers might be anticipated almost automatically to sympathize
with the plight of a Milanese exile, so they would respond to the essentially imperialist
ethos of this description of the blond beauty distinguished as a "rose among dark-leaved
brambles." Both Elizabeth's aristocratic background and her fair northern beauty play
to the expectations of the main line of British fiction in the early 1830s, what because
of its high-bourgeois conventions has come to be called "the Silver Fork School."
