Montagu, Mrs. (Elizabeth), 1720-1800 (Library of Congress Name Authority)—

Wealthy literary hostess, critic, patron of the literary arts, and head of the Bluestocking Circle of women intellectuals, Montagu presided for many years over salon-style parties famed for their intellectual vivacity. A landmark in literary criticism by women, her Essay on the Writing and Genius of Shakespeare (1769) refuted Voltaire's critique of the poet. As a literary patron, she was especially generous to Elizabeth Carter, on whom she bestowed an annuity.

Monimia—

The orphan character in Otway's The Orphan. She dies tragically, poisoning herself out of guilt over the consequences of romantic entanglements that constitute the play's plot.

Milton, John, 1608-1674 (Library of Congress Name Authority)—

By the late eighteenth century Milton was regarded as one of Britain's most important literary figures, second only to Shakespeare. His most influential poetic works included his masque Comus (1637), "Lycidas" (1638), "L'Allegro" (1745) and "Il Penseroso" (1745), Paradise Lost (1667), Paradise Regained (1671), and Samson Agonistes (1671). In addition, his sonnets offered inspiration to the Romantic period sonnet revival. Among his prose works, Areopagitica (1644), originally written as a speech, defends freedom of the press.

Miller, Joe, 1684-1738 (Library of Congress Name Authority)—

Joseph Miller was a London comic actor whose humor inspired the compilation Joe Miller's Jests: or, the Wit's Vade-Mecum. Being a collection of the most brilliant jests, the politest repartees, the most elegant bons mots, and the most pleasant short stories in the English Language. First carefully collected in the company, and many of them transcribed from the mouth, of the facetious gentleman whose name they bear, and now set forth and published by his lamentable friend and former companion, Elijah Jenkins, Esq. .