A beehive sits atop a thick board, with wild-looking plants growing on either side. Grass grows around the hive's board. Seven bees hover around the top of the hive, with another at the hive's center. The board bears the word "industry"; below the grass, a banner with forked ends reads "honesty and integrity."

This image depicts a death's-head moth on a white background, with wings outstretched.

In its vivid but stark depiction of a death's head moth, this illustration indicates the influence of Rousseau's thought on children's education: rather than relying on associationism, Rousseau's ideal education resisted the collaboration of fact and fantasy as potentially harmful.

In this image, the fantastical and the scientific are combined to make the subject matter of the accompanying text more appealing to a young audience.

Richard Parkes Bonington's Seapiece is an example of Romantic-era depictions of the sea as an unpredictable force. The motion of the waves and the leaning of the smaller vessels help to create this effect. Various ships are visible in the distance, and one ship in full sail sits directly beyond the coastal waters.

Keelmen Heaving Coals by Midnight was comissioned by cotton-spinner Henry McConnell along with the painting Venice: The Dogana and San Giorgio Maggiore. It was meant to show Britain's rise as a mercantile power beside the decline of the once dominating Venice (J. Hamilton, Late Seascapes 31, 34).