Description_Praxis

Recent work by Latour, Descola and others has argued in favor of putting the concept of nature to “death” in part because it authorizes a set of power relations grounded on a constitutive exclusion: the notion of a “nature” separate from the “social” generates a politics without due process for elements of the collective whose externality to the  polis withdraws them from the domain of the political itself. A new form of collectivity is said to emerge on the other side of the “death of nature” that, while not necessarily predicated on the model of the “one,” is nonetheless structured by the absence of the two. In other words, this new form of collectivity dissolves any unitary border between nature and culture, human and non-human etc.

Romanticism and Political Ecology examines the ways in which Romanticism challenges or reinforces this classic divide, which reshapes notions of politics and collectivity in the Romantic era and beyond. Some of the questions the collection attempts to address include how the Romantics reconceived Nature in relation to the space of the political, the way race as a category challenged putatively universal conceptions of the sovereignty of “Man," and how Romanticism helped to reconceive the relation between the human and its others in view of broadening operative definitions of the meaning of “collectivity."

Abstract

Recent work by Latour, Descola and others has argued in favor of putting the concept of nature to “death” in part because it authorizes a set of power relations grounded on a constitutive exclusion: the notion of a “nature” separate from the “social” generates a politics without due process for elements of the collective whose externality to the polis withdraws them from the domain of the political itself.

Abstract

There is no outside—this is the main watchword of our time; the second one is that there is no nature. My hypothesis is that there is a secret complicity between the foreclosure (Verwerfung) of the outside, which causes a psycho-political illness that I call exophobia (the fear of the outside), and the rejection of nature, the anaturalism constituting the technophilic basis of the Anthropocene and its geo-engineering fantasies. Romanticism could be used as a cure for both exophobia and anaturalism.

Abstract

Karoline von Günderrode (1780-1806) has long enjoyed a reputation as a Romantic poet, but her philosophical contributions have largely been neglected. This paper is one of the first to address Günderrode's political though, especially her view of the interrelationship between human society and the broader environment. The paper argues that Günderrode develops resources for reconceiving the relationship of human beings to the nonhuman and to each other that work against an instrumentalizing view of nature and programmatic political ideals.

Abstract

This paper examines recent attempts (by Latour and others) to rethink the political around the notion of the “death” of the nature/ culture division by turning to Friedrich Hölderlin’s development of the motif of the Earth in his poetic theory. While this motif has largely be read in terms of his poetry’s focus on the withdrawal of the divine, I argue that it instead articulates a strange form of “political ecology,” one that yokes poetry and nature together around a shared indeterminacy.

Abstract

This essay finds both a critique of the sovereign paradigm of "Man" and an adumbration of other modes of relationality in the political ecology of Mary Shelley's novel The Last Man. after outlining how the novel's notion of Man is a mechanism of differentiation through work, projects, and tasks, it reads the plague at the heart of the book as interrupting and exposing this entire paradigm of sovereignty.

Abstract

This article comes at the notion of "political ecology" avant-la-lettre by exploring the twinned themes of ecological retribution and ecological jubilee in Erasmus Darwin's scientific poetry of the 1790s. I think seriously (but also comedically) about the revolutionary, de-colonizing, and abolitionist partisanship of other-than-human natures in Darwin's materialist epic. Such figures, I argue, both illuminate and begin to redress the symptomatic silence on the matter of race that too frequently marks newer materialist political ecology and Anthropocene theory. 

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Romanticism and Political Ecology © 2024 by Kir Kuiken and Romantic Circles is licensed under CC BY-NC-ND 4.0