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Gallery

Explorable Archive of Art from the Romantic Era

Section Editors: Theresa M. Kelley
, Jacob Leveton
Page Title

Explore All Images

Image of Clock

John Lodge

This line engraving depicts Cox’s Perpetual Clock, item number 47 in the Cox’s Lottery catalogue and one of Cox’s “star exhibit[s]” (Greater London Council 62).

Mr. Cox's Perpetual Motion, A Prize in the Museum Lottery

black and white etching of Mr Greene's museum

Thomas Cook, E. Stringer

Cook and Stringer’s etching depicts the upper rooms of the Bishops' Registry Office at 12 Sadlers Street, Lichfield, the historic building where the collection of Richard Greene (an apothecary) was held. As Rev.

Mr. Greene’s Museum

No image available

Museum Britannicum

Soldiers in a mountain valley

Unknown
In collaboration with William Henry Ireland

Napoleon on his characteristic white horse is at the forefront of this image, which depicts the French army’s early attempt to cross the Alps. Other men, who are both on horseback and on foot, surround him.

Napoleon and His Army Effecting a Wonderful Passage of the Alps, at Mount St. Bernard

A portrait of the Emperor Napoleon

George Cruikshank
In collaboration with William Henry Ireland

This image depicts Napoleon posing majestically as the newly crowned Emperor of France.

Napoleon the Great, in his Coronation Robes

Soldiers fighting on a snowy field

George Cruikshank
In collaboration with William Henry Ireland

Though this image is intended to accurately represent the retreat of Napoleon and his forces from Moscow, the event is fictionalized by the depiction of the troops with an ample supply of clothes and equipment.

Napoleon's Retreat from Moscow

Napoleon and Josephine in a garden

George Cruikshank
In collaboration with William Henry Ireland

Napoleon and Josephine pose in the garden of their chateau, Malmaison. The image is a combination of historical accuracy and fictional representation: while Napoleon and Josephine are depicted realistically, their property is represented in much better condition than it actually was.

Napoleon, when first consul, & madame Josephine, (his first wife) in the Garden at Malmaison

Visitors inspecting the interior of the National Gallery of Practical Science.

George Scharf

George Scharf’s 1832 watercolor depicts the interior of the main hall in the National Gallery of Practical Science, Adelaide Street, on the north side of the Lowther Arcade, West Strand, London.

National Gallery of Practical Science

Image of Cliffs near Wye

Robert Bloomfield, Robert Bransby Cooper, John Hayes

Cliffs, presumably near New Weir (spelled “New Wear” in the title), stretch upward, taking up most of the left half of the print. In the foreground, at the foot of the cliffs, is a small house. A sailboat floats on the river.

New Wear on the Wye

bridge

Joseph Wilkinson
In collaboration with William Frederick Wells

Newby bridge, foot of Winandermere.

A nomad woman and two children

Unknown
In collaboration with Heinrich Moritz Gottlieb Grellmann

A woman travels through a landscape with two children: an infant held to her back in a shawl, and a young child who stands beside her and holds the hem of her cloak.

Nomad and Two Children

No image available

Norman Door, Jedburgh Abbey.

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