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A Description of a view of Thebes, now exhibiting at the Panorama, Broadway, corner of Prince and Mercer Streets, New-York

Image Item
A description of a view of Thebes
Description

This image, created by Robert Burford, gives panoramic views of both the Temple of Karnak and the city of Thebes. It was based upon the original drawings of Frederick Catherwood, unique in that they were created with the help of a camera lucida.

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Hadleigh Castle (Progress Proof b)

Image Item
Ruins of Hadleigh Castle
Description

This image depicts the ruins of Hadleigh Castle. A reformulation of Constable's earlier painting of the same scene, this mezzotint explores new possibilities for the symbolic manipulation of landscape, specifically through the application of chiaroscuro. 

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Hadleigh Castle, The Mouth of the Thames--Morning After a Stormy Night

Image Item
Ruins of Hadleigh Castle
Description

This image depicts the ruins of Hadleigh Castle in Essex, England.

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Ruins of the Palace, Madura [Madurai]

Image Item
Ruins of the Palace at Madura
Description

This image depicts the ruins of the palace at Madurai, the oldest city in India. The palace itself was erected in 1636, and is represented here against a new, British-built structure that constitutes the background of the painting.

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View in the Roman Forum (The Temple of Peace)

Image Item
Ruins of the Temple of Peace
Description

Cutting a nearly perfect diagonal across the picture plane from the top left corner, the ruins of the Temple of Peace, or Basilica of Maxentius, loom large on the canvas, casting a shadow on the groups of peasants and ghosts that have gathered at the foot of the ruin.

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Street of Tombs, Pompeii

Image Item
Street of Tombs in Pompeii
Description

This painting depicts the Street of Tombs in Pompeii, Italy, with Mount Vesuvius in the background.

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View of Tintern Abbey

Image Item
Ruins of Tintern Abbey
Description

A view of the ruins of Tintern Abbey.

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Stone Henge

Image Item
Stonehenge
Description

This image depicts the famous ruins of Stonehenge, but does so in a unique way. A line-engraving of J.M.W Turner’s Stone Henge, it is an image that simultaneously adheres to notions of the Romantic picturesque and undermines the expectations of the artistic technique made popular by Gilpin.

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Doctor Syntax Tumbling into the Water

Image Item
Doctor Syntax Tumbling into the Water
Description

Dr. Syntax falls backward off his rocky seat into the water. Though his hat has fallen into the water, he still clutches his pen and journal: he has evidently been sketching the moss-covered ruins of the castle crowning the small hill before him. To the right of the ruin a ship sails on the water, more hills rising behind it in the distance. On the left side of the print, Dr.

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A Picturesque Dairy [Plate XI]

Image Item
A Picturesque Dairy
Description

The work depicts a “building designed in imitation of the ruins of a church or chapel…intended to be placed, as those houses generally are, by the side of a piece of still water…or built by the side of a river… in a retired part of a gentleman’s estate, who farms his own land, and has an extensive dairy-farm under his own direction, and who would build it to be at one and the same time an objec

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