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Innovations in Encompassing Large Scenes

A panoramic scene of the countryside
Curators
Peter Otto
Abigail H. Nedeau-Owen
Date Published:
August 2009
Description

In late-18th and early-19th century Britain, popular interest in "scenes" that exceed or lie beyond the everyday world was heightened by factors such as the emergence of London as Europe's first world-city; James Cook's and George Vancouver's voyages of discovery, which completed in outline the modern map of the globe; and improvements in transport and communication technologies, which brought the distant into the orbit of the near. The consequent appetite for large scenes, evident in the cult of the sublime, was met in part by new virtual-reality technologies—most notably the Eidophusikon, Panorama, Moving Panorama, and Diorama—and an entertainment industry based on them.

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Reading Text of "Excursion up Scawfell Pike"

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Matrimonial--Harmonics

Image Item
A loud living room scene
Description

This image depicts the failure of harmony in the marriage previously represented (in its partner print) as a harmonious courtship. Harmony is used as a visual pun in each print to convey first, the appealing fantasy of romance, and then the harsh reality of a marriage originating in such a fantasy.

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Harmony Before Matrimony

Image Item
A young couple play musical instruments together
Description

This image depicts courtship as typically conceived by the Romantic imagination, as a moment of finding or establishing figurative harmony; such a moment or situation was dependent on the prior, elegant education of young ladies in certain, socially-mediating arts.

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Physiological Disquisitions, Plate IV

Image Item
A diagram depicting an Aeolian harp
Description

This image visually depicts the working of sound using the Aeolian harp—an instrument significant to the Romantic imagination—as the primary model. The engraving also includes several scientific diagrams indicating how the harp might function.

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Treatise on Sound, Plate 3

Image Item
A diagram depicting "vibrations in solid bodies"
Description

This scientific diagrams depicts "vibrations in solid bodies," including rods and plates. In the image, Herschel presents readers with another set of experiments that helps them conceptualize the movement of sound through space, again depending on the visual. Figures 36-41 involve the vibrations of a rod either resting against a wall or free.

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Outlines of Experiments and Inquiries Respecting Sound and Light, Plate VII

Image Item
A diagram explaining octave and variant systems of tuning
Description

This image depicts an octave as rendered differently by each temperament. Young particularly emphasizes circumference Y, which represents the system that Young found most effective: twelve-tone equal temperament. The image depicts an octave and variant systems of tuning, or "temperament." The octave is represented by the circumference of the circle.

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Outlines of Experiments and Inquiries Respecting Sound and Light, Plate VI

Image Item
A diagram explaining various properties of sound
Description

Using mathematical techniques, this image visually depicts aural phenomena: the sound waves produced by playing an octave. The image uses scientific diagrams to depict sound waves and vibrational patterns. The specific phenomena depicted by the various figures and the import of these depictions are discussed at length below.

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The Organs of the Senses Familiarly Described, Plate 18

Image Item
A diagram of the canals of the ear
Description

The series of plates given in this gallery depicts the ear and how it works. This image, Plate 18 of Bell's illustrations, depicts the semicircular canals of the ear. Bell further describes the image: "The cochlea is named by its similitude to the shell of a snail. It is the most difficult part of the ear to be described."

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The Organs of the Senses Familiarly Described, Plate 17

Image Item
A diagram of the small bones of the ear
Description

The series of plates given in this gallery depicts the ear and how it works. This image, Plate 17 of Bell's illustrations, depicts the three small bones of the ear. Bell describes it as such:

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