Keats, John, 1795-1821 (Library of Congress Name Authority)—

One of the principal figures of the Romantic movement, John Keats belonged to the second generation of Romantic poets, alongside Percy Shelley and Lord Byron. Having received little formal education, Keats was initially apprenticed to a surgeon, and he eventually broke off his apprenticeship to work as a dresser, becoming more involved in the literary realm as he began to dabble in poetry in 1814. By 1817, his literary interests had come to fruition, and he left his position to dedicate himself entirely to poetry.

Kean, Edmund, 1787-1833 (Library of Congress Name Authority)—

English tragic actor. Kean's sensational stage celebrity was undermined by his ferocious temper and chronic drunkenness. Kean began his stage career under his mother's supervision while still a child. After quite a few years as a provincial actor, his career was launched in earnest in 1814 with his spellbinding and original portrayal of Shylock in the Drury Lane production of Shakespeare's Merchant of Venice.

Kant, Immanuel, 1724-1804 (Library of Congress Name Authority)—

German philosopher who marked the transition from the Enlightenment to the nineteenth century. His Beobachtungen über das Gefühl des Schönen und Erhabenen (1764) was translated as Observations on the Feeling of the Beautiful and Sublime. Among his major works that followed, the Kritik der reinen Vernunft (1781; translated as Critique of Pure Reason, 1855) established his fame when its ideas were condensed and reformulated in Prolegomena zu einer jeden künftigen Metaphysik (1783; translated as Prolegomena to Every Future Metaphysic, 1819).

Jonson, Ben, 1573?-1637 (Library of Congress Name Authority)—

An English playwright, poet, and literary critic, whose artistry exerted a lasting impact upon English poetry and stage comedy. He popularized the comedy of humours, a genre of comedy based on characters who each show one or two overriding traits based on the dominance of corresponding bodily humours. Known for satirical plays and for his lyric poetry, he is generally regarded as the second most important English dramatist, after William Shakespeare, during the reign of James I.