344

  • My father loved Beaufort

    The reader cannot help noticing how insistently this theme returns to the surface
    of the text. In the abstract it is almost an epitome of the way in which Mary Shelley
    creates the structure of her novel as a nest of Chinese boxes (or Russian dolls).
    Here, Victor Frankenstein begins a narrative about his life by emphasizing his father's
    profound affection for another man, an account he gives to a young explorer whose
    deepest emotional need is for such a friendship. Walton, in turn, feels he has found
    the fulfillment of this need in Victor, and Victor himself tells this narrative out
    of a sense of duty to that friendship. Duty likewise drove his father in his attempt
    to discover and rescue Beaufort. At the periphery of this replicated order is the
    central location in which the narrative unfolds, a ship isolated in treacherous northern
    waters where the all-male crew stands on its duty on behalf of one another. In the
    end harsh circumstances will force Walton to respond against his will to his own duty
    to those men.

  • 345

  • love him as a brother

    Victor seems very much the type of friend for whom Walton was longing in I:L2:2, and
    his solicitude for the stranger's welfare clearly changes the dynamics of his shipboard
    routine. Nothing will be reported as occuring aboard this ship for almost a month
    while Victor through the narration of his life becomes himself a troubling aspect
    of Walton's own existence.

  • 346

  • madness

    The "astonishment" of two paragraphs earlier has transmogrified into a much deeper
    suspicion on Walton's part. The reader should take the doubt that is planted here
    seriously, since questions concerning Victor Frankenstein's sanity will intensify
    as the novel continues, becoming pronounced late in his narrative—which is to say,
    in the novel's chronology, only weeks before his rescue.

  • 347

  • secret of the magnet

    A major hazard of navigation in polar regions was a wholesale distortion of magnetic
    instruments caused by the proximity of the pure magnetic impulse. Walton seems to
    expect that once the actual pole is reached, one could learn the principles by which
    to adjust for such distortion. In 1831 Sir John Ross for the first time located the
    magnetic pole, which is distinct from the actual geographical pole, in the far northern
    reaches of Canadian territory. His account of his supposed discovery bears an enthusiasm
    and rhetorical inflation little different from the tone Walton adopts here. From the
    evidence gathered in the Parry and Ross expeditions of 1827 and 1829-31, respectively,
    Michael Faraday was, indeed, to do just that, as promulgated in what became known
    as Faraday's Law. A different desire seems to be drawing the novel's second searcher
    for the north pole, and the one who will presumably discover its exact site a full
    century before Commodore Parry, Victor Frankenstein's Creature. In Walton's fourth
    letter to his sister (I:L4:3) he innocently recounts being passed by this figure on
    his way to the pole. See also "wondrous power" above.

  • d30e3020

  • 1762 Goldsm. Cit. W. lv, [Parodying art slang] `What do you think, sir, of that head
    in the corner, done in the manner of Grisoni? There's the true keeping in it.
  • d30e3023

  • 1792 Resid. France (1797) I. 87 Some mixture of splendour and clumsiness, and a want
    of what the painters call keeping.
  • d30e3024

  • 1809 Mar. Edgeworth Absentee x, In Lady Clonbrony's mind, as in some bad paintings,
    there was no keeping; all objects, great and small, were upon the same level.
  • d30e3025

  • 1859 Gullick & Timbs Paint. 172 The keeping and repose in this cartoon are inimitable.
  • d30e3031

  • 1819 Hazlitt Eng. Com. Writers vi. (1869) 153 There is the exquisite keeping in the
    character of Blifil, and the want of it in that of Tom Jones.
  • d30e3032

  • 1870 Lowell Study Wind. 406 For wit, fancy, invention, and keeping, it [the Rape of
    the Lock] has never been surpassed.