d30e3024

  • 1809 Mar. Edgeworth Absentee x, In Lady Clonbrony's mind, as in some bad paintings,
    there was no keeping; all objects, great and small, were upon the same level.
  • d30e3025

  • 1859 Gullick & Timbs Paint. 172 The keeping and repose in this cartoon are inimitable.
  • d30e3031

  • 1819 Hazlitt Eng. Com. Writers vi. (1869) 153 There is the exquisite keeping in the
    character of Blifil, and the want of it in that of Tom Jones.
  • d30e3032

  • 1870 Lowell Study Wind. 406 For wit, fancy, invention, and keeping, it [the Rape of
    the Lock] has never been surpassed.
  • d30e3037

  • C. 1790 Imison Sch. Art II. 59 In what respect it is out of keeping; that is, what
    parts are too light, and what too dark.
  • 295

  • father's dying injunction

    To disobey such an injunction, with its almost institutionalized cultural sanction,
    is to commit a transgression of substance, preparing us for other instances of conflicting
    goals between son and father—Victor and Alphonse Frankenstein, Felix De Lacey and
    his blind father—on other narrative levels of the novel, as well as other, much greater
    transgressions for the sake of knowledge. The fact that Walton is orphaned at a young
    age introduces yet another common theme of the novel.

  • 296

  • inspirited by this wind

    What Wordsworth calls the "correspondent breeze" (The Prelude, I.35), the dynamic
    response of the human imagination to natural or divine inspiration, is a frequent
    theme among the first generation of English Romantic poets (particularly Coleridge
    and Wordsworth) and has been much discussed by critics (see, for example, M. H. Abrams,
    "The Correspondent Breeze: A Romantic Metaphor"). Closer to home, the same correspondence
    will become the motivating force in Percy Bysshe Shelley's "Ode to the West Wind"
    in 1819.

  • 298

  • a state of insurrection and turmoil

    As with many of her interpolations in 1831, Mary Shelley here seems intent on an early
    establishment of a pattern that will reappear and become more intense in its significance
    as the novel progresses. Such psychological turmoil will produce a state of nightmare
    and half-sleep on the night after the Creature is created (I:5:3) and will reveal
    itself in Volumes 2 and 3 by a chronic and, in the end, debilitating fever.

  • 299

  • intimate friend of my father

    This is the second close male friendship in as many lines (see the note to "friend").
    Since friendships reflect character in this novel, the intimacy Alphonse Frankenstein
    feels for Beaufort (I:1:2) and the elder Clerval (I:2:5), both of whom share a sternness
    of resolve and a narrow preoccupation with business success, may suggest a comparable
    rigidity, or at least a stiffness and lack of flexibility, in Victor's father. Victor
    will himself shortly note these traits in respect to how his father oversees his development
    (I:1:16).

  • 300

  • investigating

    Beginning here, Victor portrays himself as having an instinctive interest in science
    that will drive his entire existence, particularly once he arrives within a university
    setting and can devote himself to scientific investigation (I:3:1).