575

  • vaults and charnel houses

    Johnson in his 1755 Dictionary defines a charnel house as "The place under churches
    where the bones of the dead are reposited" and a vault as simply "a repository for
    the dead." By the latter Victor Frankenstein probably means to distinguish a mausoleum.
    Body-snatching or grave-robbing, a means of supplying cadavers for medical experiments
    and instruction, was a source of great anxiety in the eighteenth and nineteenth centuries.
    It was, of course, a criminal activity.

  • 576

  • it began to move with voluntary motion

    This constitutes something of a misreading of the kinds of experiments Erasmus Darwin
    recounts in the first of his Additional Notes—"Spontaneous Vitality of Microscopic
    Animals"—appended to The Temple of Nature. Probably Mary Shelley is taking figuratively,
    as a kind of macaroni, the literal meaning of "vermicelli," tiny worms—what Darwin
    calls "microscopic animalcules." Still, although she humorously exaggerates the kind
    of spontaneous generation that drew scientific speculation in the early years of the
    nineteenth century, it is important to recognize how seriously such experiments were
    taken. Here, for instance, is the initial sentence of Darwin's "Conclusion":

    {8} There is therefore no absurdity in believing that the most simple animals and
    vegetables may be produced by the congress of the parts of decomposing organic matter,
    without what can properly be termed generation, as the genus did not previously exist;
    which accounts for the endless varieties, as well as for the immense numbers of microscopic
    animals.

    Percy Bysshe Shelley also cites Erasmus Darwin in the first sentence of his Preface
    (I:Pref:1) to the 1818 edition.

  • 577

  • I have hired a vessel

    Wooden-hulled ships before the age of steam were vulnerable to innumerable hazards
    in the arctic and, given the length of such expeditions, required ample storage space
    for provisions.

  • 578

  • Vicar of Wakefield

    From Chapter 20 of Oliver Goldsmith's novel (1766), where Parson Primrose's son George
    recounts his misadventures across the continent of Europe.

  • 579

  • the sun is for ever visible

    Walton's science here is demonstrably false, particularly in respect to the time in
    which he writes his letter (mid-December), when at this latitude the sun is visible
    for only seven hours of the day. At midsummer, of course, the phenomenon over which
    he enthuses is true.

  • 580

  • vision of a madman

    Or is he? As in the early chapters of Mary Shelley's careful revisions for the 1831
    edition where we find her intent on accentuating the link between Victor's statements
    and the exhausted, fanatic sufferer rescued by Walton's crew, this proviso may be
    inserted to suggest the opposite of its import, that the man who utters it is, or
    has been, mad. At the very least the statement raises the question of wherein the
    truth lies, in scientific evidence or in psychological experience.

  • 581

  • the voice of command

    Although the emphasis here is on a Godwinian model of education, the implicit equality
    and shared sense of responsibility carry political connotations as well. This is particularly
    so within the democratic environment provided by Switzerland.

  • 582

  • all the voyages made for purposes of discovery

    Accounts of explorers were frequently bound together and sold as sets. From Hakluyt's
    Voyages (1589) until well into the nineteenth century these were a common genre of
    publishing.

  • 600

  • wondrous power

    The "wondrous power" is magnetism. Mary Shelley, working within the accepted scientific
    discourse of her time, in this second paragraph of her novel, is carefully establishing
    a conceptual—the term in her time would have been "philosophical"—base for it in physics.
    The key is provided by Percy Bysshe Shelley's citation, in the opening sentence of
    the Preface (I:Pref:1), of Erasmus Darwin, to whom the reader may turn for further
    elucidation of the scientific grounding of the novel.

  • 601

  • my workshop of filthy creation

    This phrase recurs with frequency in the critical literature about the novel, partly
    because it stands in such contrast to the almost divine attributes with which Victor
    has up to now been honoring himself and his discovery. In the phrase there is not
    only a sense of the irreducibly brute physical reality of what would have actually
    constituted a butcher-shop but as well a decided undertone of self-loathing.