A young, nude boy is depicted against a dark background in a bust medallion. Two cornucopias entwine above his head, spilling forth fruit and foliage as a border around the frame. Below is a smaller scene in which a teacher and pupil sit at a round table for a lesson in literacy. This smaller panel is flanked by a snake on the left and a badminton racket and birdie on the right.

This image features text which, like an illuminated manuscript, begins with a decorated letter. The "B" of the text is carried by a beggar, consequently giving a visual synecdoche of the written topic, "beggary."

This image features Joseph Johnson, a beggar and street singer, wearing a model of the HMS Nelson he built himself as a hat.

This portrait depicts Lady Catherine Montagu as a figure of social unconventionality, sporting a dress reminiscent of both the piratical and the gypsy lifestyle as romanticized by writers of the era. More specifically, she seems to be portrayed as Haidée, a character from Byron's Don Juan.

This image depicts the encounter between a pirate and a gypsy, emphasizing their common status as nomadic outcasts at once romanticized and rejected by society.

A woman travels through a landscape with two children: an infant held to her back in a shawl, and a young child who stands beside her and holds the hem of her cloak. The woman has long hair and a scarf tied around her forehead; she clutches the shawl in which the infant rides with her left hand, and extends her right to reveal a coin.

Within a rocky landscape is situated a large, cave-like dwelling constructed of leaves and branches. Six adult figures and two small children sit or squat around a smoky fire, while two additional figures approach the encampment with freshly caught fish. Most of the figures have short-cropped hair and are partially covered by hooded cloaks.

In a small, dark, cave-like dwelling, a woman with a creased brow and elongated nose sits crouched with her knees to her chest. She wears a white bonnet and large cloak, and she smokes a slender clay pipe. A dog, standing on its hind legs, licks her chin, and a second canine companion lies in the foreground beside a scroll-handled mug.

A man, imprisoned, sits in the corner of a cell next to a barred window through which two figures stare. The captive wears a large brimmed hat, long curled wig, and cravat, which date the sitter to the late seventeenth or early eighteenth century. He wears a loose, patterned gown, which is lifted to reveal a stockinged leg with a shackle and chain at the booted ankle.

Repton's lavishly illustrated texts served to record past accomplishments as wells as to advertise his skills as a landscape architect. The over-slips that allow for "before" and "after" views of a property were particularly important as they testified to the dramatic results Repton promised.