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Edited by: Ian Haywood

The aim of this volume is to explore the Romantic credit crisis of 1797-1821. The decision to end cash payments and flood the economy with low denominational banknotes led to a spectacular increase in executions for  banknote forgery. Many Romantic writers saw this bloody debacle as a sensational illustration of the…

Romanticism and Disaster considers and responds to the timely concept of devastated life by thinking about how the capacity to read, interpret, and absorb disaster necessitates significant changes in theory, ethics, and common life. What if the consequences or "experience" of a disaster were less about psychic…

Robert Bloomfield's letters document one artist’s struggles (and sometimes his victories) to share his unique voice and vision; the online publication of his extant letters (a companion to this collection of essays) reveals new and exciting insights into Bloomfield the artist and the man. The essays included in this collection…

The whiteness of Romantic studies is a symptom of amnesia. It bespeaks a massive act of forgetting on the part of contemporary scholarship, an institutional disavowal of the economic conditions that help make cultural production during the Romantic Era possible: the maritime economy of the Atlantic. Black Romanticism deterritorializes British…

Capitalizing on the conjunction of renewed scholarly interest in Thelwall and new archival finds, this collection of essays addresses the central question of the coherence and continuity of Thelwall’s diverse pursuits—literary, political, scientific, therapeutic, elocutionary, and journalistic—across the four decades of his…

This special issue of Romantic Circles Pedagogies extends a conversation about teaching Romantic drama that has been a part of the larger reevaluation of Romantic-era drama and theatre over the past fifteen years or so. While there have been many scholarly publications, conference panels, and digital and print dramatic…

Edited by: Eric Eisner

Romantic-era fans collected autographs, souvenirs, portraits and relics of celebrity writers, artists, performers and athletes; pored over gossip-filled periodicals and newspaper notices; imitated celebrities' fashion statements; fantasized about becoming friends or lovers with celebrities; got caught up in "crazes" for persons and texts;…

In recent decades skirmishes about how to read literature and culture have at times polarized critics, who find themselves identified, or identify themselves, with distinct critical dispositions toward either historicism or toward some version of poststructuralist writing, in particular deconstruction, supposed to be…

Co-edited by Wayne C. Ripley and Justin Van Kleeck, Editing Blake looks at the profound challenges William Blake poses to both editors and readers. Despite the promises of the current multi-modal environment, the effort to represent Blake's works as he intended them to be read is increasingly being recognized as an editorial fantasy. All…

"The Sublime and Education" offers a series of essays in which contributors meditate on how the concept of education intersects with sublime theory and Romantic aesthetics more generally. Broadly speaking, this volume produces a set of revisionary readings rooted in the critical philosophy of Immanuel Kant and its place in our ongoing…